On seeing the workers lockers
they were immediately reminiscent of cages. The clothing and personal objects
they contained were a ghostly reminder of the workers. The physical effort of
moving these ‘cages’ from the disused factory to the exhibition space became a
symbolic act, made more significant as I became aware of the history of the
site. I wanted to acknowledge the workers, particularly after finding a notice
board identifying each of the workers’ and the duration of their service, some
of them over forty-years. The installation is located below an elevated office through
which an open window can be seen to frame nature, offering some hope or
optimism. The spacing of the lockers creates a claustrophobic labyrinth which
the viewer can enter and experience. There is a space contained within the
centre of the work that is at once both alluring and inaccessible which
contains an enlarged photograph of the view from the window in the office.
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